Spring 2020 Conclave
The assigned scribe of your group should link to this Google Doc and use the index on the left column to find your group. Please only work on your own page.
Spring 2020 Conclave
The assigned scribe of your group should link to this Google Doc and use the index on the left column to find your group. Please only work on your own page.
Welcome to the first installment of Profiles in Pedagogy! The Composition Program has started this initiative to highlight the pedagogical brilliance that is present in ENGL110 classrooms across campus but that often remains acknowledged only by our students and administrators. By conducting interviews with a range of faculty teaching ENGL110 in the English Department at the University of Delaware, we hope you come to appreciate the diverse approaches that your colleagues are bringing to this course and adopt any strategies, assignments, or themes that you believe would prove effective in your class. More than anything, Profiles in Pedagogy aims to ignite and encourage ongoing interdepartmental conversations about the teaching of ENGL110.
With the plan being to post several entries each semester in the months and years ahead, these interviews will ideally inspire you to continue revisiting your pedagogy to meet the unique challenges of first-year composition. Moreover, we highly recommend reaching out to featured faculty with questions about their class, a means of dialogue that will establish a sense of community and represent merely a starting point in a conversation already in progress. Due to technical difficulties, the first few installments will be written interviews, but the long-term goal is to record videos to be posted to the site. Stay tuned for future updates. And who knows? You could be the next person asked to take part in this exciting project!
Below the fold, you can find our first interview with Andy Ross, a Postdoctoral Research Fellow who regularly teaches ENGL110. We think his insights perfectly embody the spirit of Profiles in Pedagogy and have much to offer instructors with varying levels of experience. As we prepare to enter the spring semester, whether as new or longtime teachers, Andy will surely give you more to consider in designing your course. We hope you enjoy!
Brett Seekford, Assistant Director of Composition: How long have you taught ENGL110?
Andy Ross: I’ve taught ENGL110 at UD for three years now, but have designed and taught first-year writing courses for about ten years (at three different universities).
BS: What is your ENGL110 class like? Is there any specific focus?
AR: I teach place-based first-year writing courses that encourage students to write about their own personal geographies and the ethical commitments that come along with them. I’ve also taught courses themed around climate change/the Anthropocene, and “the attention economy.”
My course is designed to introduce students to what I see as the real work of writing (particularly academic writing) by offering a structure in which students can work together as peers and practice writing not in isolation but with other texts, writers, and readers in mind. An average ENGL110 class meeting might look like this: we begin with a brief student presentation in which they share some of their views and experiences with a writing approach/principle (sometimes it’s a “bad idea” about writing that they want to counteract). After the presenting student facilitates some conversation about this topic, we might move into a group or individual activity in which students practice a skill they’ve encountered in the assigned reading for that day and which they’ll further develop in whatever larger writing assignment they are working on. I am a big fan of peer workshop and review work, so quite often class periods will involve an opportunity for students to practice giving and receiving feedback from each other (a skill that I think ENGL110 is especially good for teaching).
BS: Can you talk a bit more about the importance placed on “place” in your class? Why do you emphasize this concept? And what do you think it helps students achieve as thinkers?
AR: I like using the concept of place in an ENGL110 class for lots of reasons—some of them theoretical, and some more practical. First-year students are typically navigating a moment of displacement—they have often just left home, and are working through figuring out their place on campus, in their social circle, etc. They’re also thinking about home plenty, and it seems like often times they start to look at the places they come from (and the issues those places represent or confront) in a new way. So an invitation to think about the role of rhetoric as it relates to places, or an invitation to explore a new place through research and writing sparks something in students. On the more practical side, I find that the concept of place offers a way of focusing research and steering projects toward breaking some new ground. In other words, because I typically make an emphasis or connection to a specific place a requirement of students’ research papers, it means that if they opt to write about a “hot-button” topic, they have to focus it in a specific place, thus raising the possibility of more nuanced and interesting research questions. A paper about social media becomes an investigation of “regional emoji dialects”; a paper about gun control becomes a rhetorical analysis of “campus carry” laws; a paper about concussions becomes a proposal for improved physical education in rural primary schools, etc.
BS: You mention papers designed to realize this framework. What are some of your major assignments? Do you have a favorite?
AR: I want students to learn and practice analysis as well as argument, so the semester typically begins with a rhetorical analysis assignment—often having to do with rhetoric “in place”—and then moves into a series of linked assignments around place-based research (in which students expand and revise a project around a research question they develop themselves).
Two favorite assignments come to mind, both of which have to do with audience awareness: the first is a project in which students work in groups to meet with leaders of campus units like transportation, food, residence life, etc., and discuss their department’s sustainability initiatives. Then, the students write proposals in which they outline ways that such “green” initiatives might be more effectively communicated to undergrads. This requires thinking about both how to communicate sustainability to their peers, and how to write to an audience of campus leadership.
The second favorite assignment is quite different, in that it’s multimodal. At the end of the semester I often ask students to build on their place-based research by designing a commemorative space or monument. Students produce a series of visuals (and along the way learn some principles of design and visual communication) and then justify that space in writing, as though it was part of a design competition. These “speculative” spaces give students the chance to think about how to write in a persuasive, immersive way, and also about the relationship of written rhetoric and how individuals experience public space, community, justice, and memory. Many of the designs that students develop blow me away with their creativity and sensitivity to location, access, and history.
BS: How would you describe your teaching philosophy? How do you bring that to your ENGL110 classes?
AR: One of the best things I can do as a teacher is to try to shift students’ view of writing as a series of rules to an experience more akin to an on-going conversation; I help students see themselves as writers who are producing knowledge, not just consuming it. Even though some of them might consider themselves novice writers, my philosophy is to emphasize the contribution all writers can make as they respond to other texts/writers and write with a specific audience in mind.
One of my favorite “conversations” to have students participate in is about what it means to live and learn “in place” and how our sense of place develops. I’ve found that when students have something of a personal connection to the work that their doing, or when they can recognize their own interests in their assignments, their confidence as writers grows. So I encourage students to find a conversation that they are interested in and then to research and write in a way that allows them to articulate the value of what they are bringing to that dialogue.
BS: What role does the library play in your class? Can you talk about the importance of the librarians and their resources for your students?
AR: I can’t imagine teaching ENGL110 without the help of the library! In addition to welcoming my students for instruction on research methods or joining our class for a session about information literacy, I have had many students tell me about how helpful it is to meet with a research librarian. One fabulous resource that I have used in my courses are the information literacy activities for ENGL110 classes that a team of UD librarians recently developed. These activities are easily adaptable, and work well at various stages of the research and writing process. I’m always impressed by how much librarians are willing to adapt their instruction to match my goals for the class and to be as individually useful to students as possible.
BS: I’m always curious about our growth as teachers. What is it that you as an instructor have gotten out of ENGL110? How has it helped you grow as a teacher?
AR: For one thing, I think I’m a stronger writer because of the work that I do as a teacher. About mid-way through most semesters, I tell my students about my commitment to write every day. Then, usually at the start of class, someone will pipe up to keep me accountable or ask how my writing is going (sometimes I think they do it to see me fidget uncomfortably when I haven’t gotten to it). I do the same with them and we start to support each other in our progress as writers. Teaching ENGL110 has helped me develop ways to anticipate and navigate some of the roadblocks that tend to pop up when writing, and to genuinely take pleasure when students overcome them. I love when students finish a semester stronger and more confident in their writing and with a clearer sense of what they offer to their discipline or community.
Come one, come all! The Writing Center is sponsoring a new round of workshops for the Fall 2019 semester. These events will cover issues such as citation and revision as well as skills for crafting effective personal statements for graduate school or another line of work. Please encourage your students to come to these workshops, and if you’re struggling to find approaches for teaching source use or revision in your section(s) of ENGL110, we welcome you to attend and hopefully gain some inspiration as instructors. All three workshops will be held in the Morris Library Writing Center at their scheduled time. Hope to see you there!
For details about these workshops, please refer to the listings below, courtesy of Kathleen Lyons, the Assistant Director of the University Writing Center.
Fall 2019 Writing Center Workshops
“Personal Statements That Pop” by Lee C.
Tuesday, November 5th at 5:00
It’s application season, and you know what that means: Time to write a personal statement that packs a punch. Putting yourself out there in the personal statement, whether you’re applying for grad school, an internship, or a job, may seem challenging, but we will help you craft a statement that really shines. In this workshop, we will discuss tone, style, and audience, how to “brag” about yourself, how to write with or without an essay prompt, what to shout about vs what to leave out, and more! Come to this session, and submit your applications with confidence!
“How do I cite this?” by Robert H.
Thursday, November 14 at 5:00
How do I cite this? Whether you are working with in-text citations or reviewing your Reference List, this is a common question. This workshop will go over why we cite, as well as where you can find resources to make citation easier. Proper citation practice can be tricky, confusing, and time consuming, but it is also very necessary. Attend our workshop to battle those citations together!
“Proofing for Polish” by Dorothy S.
Wednesday, November 20 at 11:00
You’ve done the research; developed your point; written and rearranged until you’re blue in the face. Your paper is almost ready to send off to its fate… Except for one more step: proofreading. Ironically, by the time the average paper reaches the proofreading stage, its beleaguered author has spent so long staring at the big picture that they no longer register any of the tiny, niggling details of grammar and syntax that make for rough reading. This workshop will give you tips and tactics to ensure that you can look with new eyes and buff your paper to a high sheen.
There is a very exciting opportunity on the horizon for instructors looking to learn more about integrating case studies into their classes, which can lead to new strategies for teaching research skills and may help instructors revamp or fine-tune their multimodal assignments in ENGL110. The Center for Teaching & Assessment will be holding its First Friday Faculty Roundtable in Gore Hall Room 208 from 3:30-5:00 p.m. on November 1, 2019. All of these events are brilliant, but this one sounds particularly compelling.
Mark your calendars now! Complimentary food and drink plus a discussion of pedagogical approaches . . . what more could you want?
See the full e-mail from CTAL Assistant Director Rose Muravchick below to register for the roundtable and learn more about it:
Dear Teaching colleagues,
Case studies are stories built around real problems and situations. You can use case studies to teach in almost any discipline, and they are a great way to help students grapple with the complexity of real-world issues. If you’ve thought about incorporating case studies in your courses, but weren’t sure where and how to start, this roundtable is for you.
Join CTAL on November 1st from 3:30-5:00 in 208 Gore Hall where you’ll get a chance to walk through the decisions involved in adopting case studies in your courses, learn where to find repositories of case studies in your disciplines, and ask questions of colleagues who are already using case studies. Designed with input from faculty in multiple disciplines, this roundtable will offer attendees in any department a chance to integrate case studies into an existing course. Participants will have an opportunity to discuss how to implement case study teaching with their colleagues.
|2019-2020 Friday Roundtable Schedule | Center for Teaching and Assessment of Learning – ctal.udel.edu
This session highlights University of Delaware faculty and staff from a variety of colleges and the English Language Institute sharing their insights, teaching and advising strategies, and best practices for engaging international students in classes and their academic careers.
This program is open to all who teach at UD, including faculty, graduate students, instructors and staff. After the event, all attendees will receive a letter certifying their participation which may be included in documentation for promotion or tenure.
Registration is requested: https://delaware.ca1.qualtrics.com/jfe/form/SV_8G1pbYFb402FJfD
This fall, the University of Delaware Library, Museums, and Press are holding a comprehensive array of exciting workshops to engage the campus regarding topics around citational practices, multimedia resources, and more! If you’re interested in using new digital tools in the ENGL110 classroom or simply want to improve on your existing multimodal assignments, there are various opportunities available to you this semester. And graduate students and scholars working on research will want to keep an eye on workshops geared toward helping us manage our many, many citations.
Check out the full list of workshops below. See you there!
Please join us for Spring 2019 Grading Day on Tuesday, May 21, 2019 from 9:00AM – 2:00PM in the Dome.
All are invited to attend to work on grading, final projects, or just socialize.
The Composition Program is happy to sponsor this semester-end tradition of food and camaraderie.
Call for Proposals:
Naylor Workshop for Undergraduate Research in Writing Studies
September 26 – 29, 2019
It is a pleasure to announce that the Naylor Workshop on Undergraduate Research in Writing Studies is now accepting proposals for students and mentors for the 6th annual workshop at York College of Pennsylvania. SEPTEMBER 26 -29, 2019.
In its first four years, the workshop has attracted students and mentors from nearly forty states, its participants have gone on to present at various conferences and publish their work, and we have featured leaders in the field’s undergraduate research work as plenary speakers—including Jessie Moore, Joyce Kinkead, Jess Enoch, and Laurie Grobman—and have had many other national experts serving as mentors to participants.
This year, we are thrilled to be welcoming Dr. Jane Greer as our plenary speaker. Dr. Greer is a former editor of Young Scholars in Writing, and chairs the CCCC Committee on Undergraduate Research. She is also a wonderful mentor to her students.
The Workshop helps undergraduate researchers in Writing Studies to move their project (which can be at any stage of development) ahead in ways that are richer, more valid, and more theoretically informed. Attendees participate in mini-workshop sessions to learn a variety of research methods, and work closely with mentors who help them hone their project’s focus. By the end of the workshop, attendees report, they have a much clearer path forward and a much stronger understanding of our discipline’s work.
We hope you will encourage your students who are engaged with undergraduate research projects in Writing Studies to apply. Successful applicants also receive free room, food, registration, and funding toward travel. They need not be writing majors—we have had successful applicants from Writing Centers, from disciplinary courses that focused on discourse analysis, from those engaged in community projects, research on creative writing and publishing, and so on. Like our field’s research, the Naylor Workshop embraces all facets of writing studies.
We also invite faculty to apply to become mentors at the workshop. Past mentors have reported that it is an intensive, exhausting, but fulfilling experience in which they work within an idealized learning space with talented students from across the country. You can join us with students or come on your own. If you have students join you, we will assign them to other mentors for the workshop so that they get multiple perspectives.
Visit the website at www.ycp.edu/naylor for more details. There, you will find the full Call for Proposals (also attached) and instructions on how to apply as either an undergraduate researcher or a mentor.
Feel free to address any questions to Dominic DelliCarpini, Naylor Endowed Professor of Writing Studies, at email@example.com.
Teaching our students how to research is essential but often really hard. How can we present research as messy, circular, and iterative without causing our students to freak out and choose the easiest options? How can we help students develop a more holistic understanding of how to move between Google and library search tools? How can we frame research tools and strategies as skills and resources students can carry forward into other disciplines and future courses? These challenges, among many more, apply to teachers in all disciplines and at all levels and they are central questions to the Teaching Research in Undergraduate Education (TRUE) workshop series.
As a collaboration between the English department and the Library, Museums and Press, TRUE is an opportunity to hone your skills, learn new teaching techniques, and connect with an array of professors, postdocs, librarians, adjuncts, and graduate students from across the university.
The five workshops—focusing on how we approach teaching research, narrowing a research topic, search strategies, evaluation of sources, and synthesis of research—will feature guest speakers and interactive activities all geared toward improving our ability to teach research skills to our undergraduate students, skills integral to UD’s General Education Requirements. Attendance will ensure not only a learning opportunity that can be put to use in your courses, but also a great line on your CV, whether you are looking to increase your professional development or make a case for tenure!
There are two options for participation:
1) Become a member of the cohort! Your duties under this option are to come to at least 4 out of 5 of the workshops in the series and be ready to interact with your peers. Attendance of at least four sessions will result in a certificate of completion from the English department. This would be a great line on your CV under the Professionalization section.
2) Become a workshop leader! Do you have great ideas and lesson plans on ways to teach research in the undergraduate course? If so, this is a great option for you! Your duties would be to work closely with Allison Tharp and Lauren Wallis to develop an interactive activity for one of the workshop sessions and then to lead that session. This would be a great line on your CV under the Invited Lectures and Professionalization sections. (Note: workshop leaders can also be participants in the rest of the series.)
If this sounds like an opportunity of interest to you, either as an attendee or a presenter, or if you would like more information, please contact Allison Tharp of the English department (firstname.lastname@example.org) or Lauren Wallis of the Library (email@example.com).
The tentative dates and times for these workshops are as follows: Wednesdays from 2:00-3:30 pm: February 27, March 6, March 13, March 20, March 27. All workshops will take place in Morris Library.
Protocol for Summer and Winter Teaching of ENGL110
Because freshmen are not allowed to take ENGL110 during the summer or winter 5-week sessions, and because the number of upperclassmen who need this required class is shrinking, we do not offer many sections of ENGL110 during these terms. When we do offer these courses, we want to ensure that we give opportunities to as many graduate students and Post-docs as possible.
We will staff these classes by asking for interest from instructors in this order: Full-time faculty, post-docs, graduate students, and then adjuncts. Post-docs and graduate students who have not taught a winter or summer session course will be given preference over those who have done so, with priority given to those who have been at UD the longest.
Because the number of instructors interested in teaching winter and summer sessions exceeds the number of available courses, candidates for these positions need to meet the following requirements:
There’s still time to become a member of the TRUE Cohort! Our first session is Feb 21 from 2-3:30 in Faculty Commons (Pearson 116). We will have facilitated sessions that address practical teaching methods for different parts of the research process, as well as group discussions with colleagues. You will come away from the workshop series with activities you can use right away in your classes, as well as a nice line for the professional development section of your CV. Let Alli (firstname.lastname@example.org) or Lauren Wallis (email@example.com) know if you have questions.